Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Playboy: How to Reawaken Your Sexual Powers

Couples learn how to reawaken their sexual desires.

Helmut by June

An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.

Monsieur Truffaut Meets Mr. Hitchcock

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Silent Shakespeare

A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.

Deep Blue

Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.

Auge in Auge - Eine deutsche Filmgeschichte

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

The Pixar Story

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

IceDream The Iceberg Project

The Dreamed Films

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

Roundhay Garden Scene

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Flow: For Love of Water

From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.

Cotton Mill, Treadmill

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

The Great Saphir

This film is the story of several civic and individual initiatives which consists of collecting waste, at sea and on land, to preserve the environment. We start by portraying these committed characters with the personal initiative of Emmanuel Laurin, "The Great Saphir", who combines athletic achievement and environmental protection. During almost 14 days, between May 25 and June 8 in 2017, Manu swam 120 km of coastline while collecting macro-waste to raise public awareness of the critical state of pollution in the Mediterranean Sea. This film is a reflection of the evolution of environmental activism: after the denunciation, these new whistleblowers adopt a positive approach and take action. They prove to us every day that we are all able to do that.

It's On 2

The famous Teahupoo wave, nicknamed "the perfect wave", was bigger than ever in 2019. In August 2019, mountains of water dropped on the coral reef like bombs. Towed by jet skis, local surfers tried and succeeded what seemed impossible. Bravery and dauntless! Commented by seasoned Tahitians like Kévin Bourez, Matahi Drollet, Kauli Vaast or Ariihoe Tefaafana who share this unique experience, their fear and pride to have faced heights never seen before. The Polynesians have proven that they are the best, that the Teahupoo wave is "made for them". Unforgettable images, interviews and testimonies… It has become an unmissable event for riders and those who love the beauty of the Pacific Islands. No need to be interested in surfing to appreciate spectacular performances. This is a pure wave of pleasure for the eyes. A wave of emotion with these “aito” (heroes in Tahitian) of surfing, who share a part of the Polynesian culture.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.